I suppose that's one way to think about Facebook poo.Mr. Goldstein told me to relax because trying to keep up with every application has become futile.
“I throw a cheeseburger at you and smelly socks at my brother, but send virtual flowers to my wife,” he said. “What every single one of these applications is really offering is a different dialect, a way to communicate very specifically to friends and family and colleagues and different social groups ...
“The magical applications on Facebook are the ones that enable you to do things you can't in everyday life ... Everyone wants to have a food fight, but they can't.”
Instead of choosing what to buy based on its price tag, we'll take into account “how much it will fetch on eBay next year, which corresponds to how much it will really cost you to own it up until then.”
... in the introduction to “Red,” editor Amy Goldwasser makes the case that her book offers 58 stories from a generation, “perhaps the first, of writers.” Between blogging and Facebook and e-mailing and texting, Goldwasser writes, these are kids who are regularly “generating a body of intimate written work.”
(See also Guan's post on the subject and the Genesis of Sam the Pirate month—and my intense dissatisfaction at not being able to participate. And there's no use saying “There's always next year” because next year is Ben's fourth year—Ben who may well be doing a project and another truckload of exams, and really only one of us gets to be off the planet at once, otherwise the house will well and truly fall apart.);NaNoWriMo is all about the magical power of deadlines. Give someone a goal and a goal-minded community and miracles are bound to happen. Pies will be eaten at amazing rates. Alfalfa will be harvested like never before. And novels will be written in a month.
Part of the reason we organize NaNoWriMo is just to get a book written. We love the fringe benefits accrued to novelists. For one month out of the year, we can stew and storm, and make a huge mess of our apartments and drink lots of coffee at odd hours. And we can do all of these things loudly, in front of people. As satisfying as it is to reach deep within yourself and pull out an unexpectedly passable work of art, it is equally (if not more) satisfying to be able to dramatize the process at social gatherings.
But that artsy drama window is woefully short. The other reason we do NaNoWriMo is because the glow from making big, messy art, and watching others make big, messy art, lasts for a long, long time. The act of sustained creation does bizarre, wonderful things to you. It changes the way you read. And changes, a little bit, your sense of self. We like that.
Schedule regular time and show up, even if you think you can't write. Sometimes your brain will freeze, your motivation will leave you, and your car won't start. Showing up at your keyboard will solve two of those problems. If you've scheduled 8am to 9am to write, and you sit there for an hour and nothing comes out, you've still followed through on your appointment. When you sit down tomorrow your chances of breaking writer's block skyrocket. I've never met anyone who followed through on showing up and had long term writer's block. When you show up, you're subconsciously telling yourself that you're serious about writing, and that sets you up for a win.
Carey says this about the shamanic fashion with which Hughes approached his poetry: “But critical or analytical prose of the kind he had to write at Cambridge was, he saw, a danger. He had a dream, now part of literary legend, in which a fox, singed and smelling of burnt hair, came into his room, put its paw on an essay he had been writing, leaving a bloody mark, and said “You are destroying us.” So he changed from English to anthropology. This trust in dreams and in his animal, instinctive, pre-verbal self brought with it a gamut of other beliefs, disturbing to people who like poets to be rational. His ouija board and tarot pack were of real importance to him. He spent “thousands of hours” studying astrology and requested Faber to publish his books only on days when “the special conditions of the earth's electrical field” were propitious.”
And more things to knit:
Bible: Isaiah (ESV) 28/09/2010
seen: Tropic Thunder 26/09/2010
seen: The Life of Mammals 24/09/2010
seen: What a Girl Wants 19/09/2010
seen: Jerry Maguire 19/09/2010
seen: The Sisterhood of the Traveling Pants 06/09/2010
seen: Tomorrow Never Dies 05/09/2010
seen: Nanny McPhee 28/08/2010
read: Mercury (Hope Larson) 27/08/2010
read: Spellcheckers Vol 1 (Jamie S Rich, Nicolas Hitori de, Joelle Jones) 16/08/2010
read: Solipsistic Pop Vol 2 (Solipsistic Pop) 16/08/2010
read: Chiggers (Hope Larson) 15/08/2010
seen: Josie and the Pussycats 14/08/2010
seen: Mr & Mrs Smith 14/08/2010
seen: Step Up 2 13/08/2010
How to recalibrate the home button on your iPhone.
Unsolicited manuscripts accepted by Pan Macmillan with certain conditions.
Thought Balloon is a group blog in which the writers tackle a new theme every week? month? with one-page scripts. This URL is for their Phonogram ones.
How to sew a zipper on a knitted garment.
Issues organised by tale.
Online magazine that publishes fairy tales that are not reworkings of old tales.
Journal that publishes fairy tale writing.
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i think that 7-ways thing was from me…but I can’t remember when I sent it to you. Maybe i posted it on the WBW group…
Or if it wasn’t from me, maybe I just wandered over to it when I was looking at GTD for writers and that’s why it seems familiar…
Also I realised I haven’t blogged about Sam the Pirate Month! I shall have to do that soon… (also I’m winning…tee hee)
I’m doing Nanowrimo, but really it’s in the wrong month. Would’ve been easier if it were in December, since I’m resigning from my job and expect to have more time to write then. Maybe I’ll pretend that it’s in December. Also, I started 2 weeks late. As it is, my story consists of 99 words—I’m never going to make the deadline!