Here's some of the stuff I've been reading and thinking about lately.
What might that deep-seated purpose of art-making be? Geoffrey Miller and other theorists have proposed that art serves as a sexual display, a means of flaunting one's talented palette of genes. Again, Ms. Dissanayake has other ideas. To contemporary Westerners, she said, art may seem detached from the real world, an elite stage on which proud peacocks and designated visionaries may well compete for high stakes. But among traditional cultures and throughout most of human history, she said, art has also been a profoundly communal affair, of harvest dances, religious pageants, quilting bees, the passionate town rivalries that gave us the spires of Chartres, Reims and Amiens.
Art, she and others have proposed, did not arise to spotlight the few, but rather to summon the many to come join the parade—a proposal not surprisingly shared by our hora teacher, Steven Brown of Simon Fraser University. Through singing, dancing, painting, telling fables of neurotic mobsters who visit psychiatrists, and otherwise engaging in what Ms. Dissanayake calls “artifying,” people can be quickly and ebulliently drawn together, and even strangers persuaded to treat one another as kin. Through the harmonic magic of art, the relative weakness of the individual can be traded up for the strength of the hive, cohered into a social unit ready to take on the world.
Across the country, aspiring writers are using Craigslist not just as a place to offload their futons, but as a pixeled writing workshop where they test their stabs at social satire on some of the more than 30 million visitors that the site draws each month. Their personal ads ostensibly seek a soul mate, but what they’re really looking for is an audience.
Social critics like to bemoan the iPod, complain that society has collapsed into everybody living in their own private Idahos. But in fact listening to music on an iPod, or accumulating songs through file sharing, is a way to reclaim music from the manipulations of the marketers, to escape the claws of the behaviorists. Carving my way through the crowded city, while listening to music on my iPod, allows me to feel in touch with my surroundings. Art that doesn't manipulate is what forms real social bonds.
Buckman is convinced his customers are willing to pay for—not steal—his artists' music, and even pay more than is necessary, because Magnatune pays artists half its revenue from selling music.
Which brings into play another layer of the Magnatune model. In decades past, it cost a lot to get recorded music to the public. Studios and equipment were expensive, so recording an album took a lot of upfront money. Then, manufacturing thousands of LPs or CDs and shipping them around the country cost a ton.
It all meant artists had to sign with a record label that would advance the money to launch an act. The price to artists has often been restrictive contracts that pay little royalties.
But every part of that model is changing. PCs, digital gizmos and software can be assembled into a high-quality basement studio for a few thousand dollars. Former Byrds legend Roger McGuinn is recording his next album on his laptop while on the road. And with high-speed Internet, CD burners in most every PC, and blank CDs that cost 30 cents, it makes little sense to manufacture and ship pieces of plastic. It's like, in the 1940s, when the first refrigerator/freezers made home ice delivery irrelevant.
andThe fact is that online communication is artificial, and so requires artificial behavior. For various reasons, people tend to behave worse there than they do elsewhere. They must learn to behave better if the Internet is to attain its potential as a communicative medium.
Online communication is artificial because of its peculiar combination of attributes: It is written, it is addressed to people you don't know, and it takes place within an undefined communicative context.
It is a truism that a negative written comment has a harsher impact than a spoken one. That's why most of us have learned to take a deep breath and count to 10 before firing off angry e-mails.
But because online postings are addressed to people you don't know, or not even addressed to anyone at all, you don't actually have to stand behind your words.
But the fact remains that good manners are more important in nurturing a civilized, dynamic, sophisticated discussion than knowledge or brains.
If Web users made a conscious effort to see their posts as parts of a conversation with real people rather than as pronouncements, the online universe would be a more enlightening place.
The Internet is a mirror of humanity. It would be a fine thing, and an important thing, if when we look in that mirror, we see a reflection of the species that created the British Parliament, built the Taj Mahal and wrote the U.S. Constitution, or even just the species that says “thank you” to the toll taker. The Internet is vast. A little more civilization might even make it beautiful.
The research indicates that many young adults with eating disorders never had a regular dinnertime when they were growing up. They literally never learned how to eat a proper meal.
Weinstein tells us that when the National Center on Addiction and Substance Abuse studied ways to keep kids from destructive behaviors, family dinners were “more important than church attendance, more important even than grades at school.” The Center has repeated that study several times since then, “and every year, eating supper together regularly as a family tops the list of variables that are within our control.”
You see, there is a lot more to family dinners than meets the eye. They have “the power of ritual,” giving parents and kids the chance to connect, adding a sense of security to the daily routine. They are an opportunity for parents to teach about family history and traditions, so that they give kids a sense of identity. Even dysfunctional families seem to work just a little bit better when they make time to eat together.
The point is, family meals are not just about food. As Weinstein puts it, “Supper is about nourishment of all kinds.” That includes physical, emotional, intellectual, and spiritual.
“When we put devices in front of kids, if they smack of kid-ness, they're much less interested,” said Daniel Neal, Kajeet's chief executive. “They want your iPhone, they want your BlackBerry, and they're smart enough to use it better than you do.”
Technology is getting closer and closer to the point where robots will be able to mimic human behaviour. They may even be able to master the art of seduction (Futurama, anyone?).You're thinking, Computer geeks, they'll go for it, but not me. You're thinking you'll be glad to have a robot as a butler, but love? You can't love a thing that isn't a person. What's love got to do with robots?
Well, what's love got to do with pets? Levy points out that like robots, cats and dogs first pushed into human lives by providing services to our ancestors—cats kept homes free of rats, dogs were guards and hunting partners and herders. Love was only a side benefit of such relationships, a feeling cooked up in human brains and exploited by the animals, who got shelter and food and safety from the deal.
But none of that matters anymore. The situation's evolved. Now we think of our pets as extensions of our family, as beings roughly on our level—they're not adults, but for many of us, they're comparable to children. We no longer put our pets to work, of course; their only purpose is love.
Why did our feelings for animals evolve? The human brain is unrelenting in its tendency to anthropomorphize, to subconsciously ascribe human feelings and thoughts to animals and inanimate objects. We began to treat our pets as people because we're given to thinking of them as people—see the Onion's “Vacationing Woman Thinks Cats Miss Her.” But it won't end at cats and dogs: Levy cites several psychological studies showing that we tend to anthropomorphize machines, too.
I suppose this is the logical outcome of the commodification of sex and the divorcing of sex from relationship. How will Christians respond if this starts happening? How is sex with robots different from this position on a Christian attitude to masturbation (which, I suspect, somewhat mirrors the Sydney evangelical perspective on it)? What should be the Christian response to sex toys?On the other hand, it'd be a pretty great video game. The possibility of easy sex with robots, Levy points out, will likely reduce the incidence of infidelity between human couples (infidelity with other humans, that is; Levy thinks that people will come to think of having sex with a robot as not constituting cheating, though he says we'll take some time to adjust to this view).
More important, many people who, for whatever reason, can't find people to love them will find salvation in robots—and how can this be anything but salutary?
“Almost everyone wants to love someone, but many people have no one,” Levy writes. “If this natural human desire can be satisfied for everyone who is capable of loving, surely the world will be a much happier place.”
Bible: Isaiah (ESV) 28/09/2010
seen: Tropic Thunder 26/09/2010
seen: The Life of Mammals 24/09/2010
seen: What a Girl Wants 19/09/2010
seen: Jerry Maguire 19/09/2010
seen: The Sisterhood of the Traveling Pants 06/09/2010
seen: Tomorrow Never Dies 05/09/2010
seen: Nanny McPhee 28/08/2010
read: Mercury (Hope Larson) 27/08/2010
read: Spellcheckers Vol 1 (Jamie S Rich, Nicolas Hitori de, Joelle Jones) 16/08/2010
read: Solipsistic Pop Vol 2 (Solipsistic Pop) 16/08/2010
read: Chiggers (Hope Larson) 15/08/2010
seen: Josie and the Pussycats 14/08/2010
seen: Mr & Mrs Smith 14/08/2010
seen: Step Up 2 13/08/2010
How to recalibrate the home button on your iPhone.
Unsolicited manuscripts accepted by Pan Macmillan with certain conditions.
Thought Balloon is a group blog in which the writers tackle a new theme every week? month? with one-page scripts. This URL is for their Phonogram ones.
How to sew a zipper on a knitted garment.
Issues organised by tale.
Online magazine that publishes fairy tales that are not reworkings of old tales.
Journal that publishes fairy tale writing.
|
|
Disqus comments
Other comments